TED McCARTY
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Ted McCarty was
born in 1901 and was instrumental in the development and
design of many of the electric guitars you see today. His enduring legacy that serves as an
inspiration to guitar makers and musicians worldwide. He was also a
life-changing mentor to Paul Reed Smith. The McCarty 58 (which is the
guitar to the right) pays homage to
this legendary man and traditional humbucking tone. In the guitar world, inventor Ted McCarty made his mark as an
innovative instrument designer during the 1950s and early 1960s as
President of Gibson, Inc. |
McCarty had always been interested in the music
industry. As a lad in the 1930s, he began a career that combined
his degree in commercial engineering with his love for the music field.
He first worked for the Rudolph Wurlitzer Co., working his way up from
accountant to director of purchasing for the corporation's retail
division. In 1949, Gibson became vice president and general manager at
Gibson, Inc. before he was appointed president in 1950. He held the
position for 16 years.
When McCarty first went to work for Gibson, he made it
his priority to revitalize the company's creativity and expand its line
of electronics. His goal was to design the most radical looking guitars
ever made. At the time, solid-body electric guitars had made the shape
of a guitar body immaterial to its sound, but guitar makers still used
the traditional guitar shape, with its rounded lower bout. McCarty
decided to draw up three new guitar models with angular body shapes that
would capture the revolutionary spirit of rock and roll music.
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McCarty and his team developed such classic instruments
as the Les Paul, Byrdland, ES-335, Flying V, Explorer, SG and Firebird
electrics, the Hummingbird and Dove acoustics, as well as the Tune-o-matic,
stop bar tailpiece, and the humbucking pickup. Gibson shocked the
industry when the company unveiled the Flying V, Explorer and Moderne at
the 1958 NAMM (National Association of Music Merchants) trade show in
1958. While the new designs were a bit ahead of their time, the
company's next solidbody, the SG, found easy acceptance. McCarty's and
Gibson's best-known design is the Les Paul model. After its introduction
in 1952, the model went through a variety of modifications that
culminated in the classic Standard, or Sunburst, in 1958. Its maple cap
on a solid mahogany body and twin-coil humbucking pickups produce a
sound that is highly suitable for rock music.
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McCarty is the sole inventor of the Tune-O-Matic
bridge (pictured to the left),
which is found on hundreds of guitar models today. He received Patent
No. 2,740,313 for the device in 1952. The bridge's design was rather
crude, having saddles that were held in place only by string tension
with a wire wrapped over them in case a string broke. However, the
design was a breakthrough that was quickly embraced by professionals,
including fellow guitar designer and performer Les Paul. |
McCarty also contributed to the development of a new
pickup attachment that was devised in order to electrify a guitar
without losing acoustic tone. The attachment would also increase the
potential number of Gibson electric guitars available since the
attachment could easily and inexpensively be attached to just about any
arch-top acoustic. This concept later became known as the "McCarty
unit," a modified pickguard to which a pickup is permanently fixed.
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The McCarty unit's rationale was explained in the patent
filed by McCarty in 1948 and secured in 1951. It states the invention
was intended to provide a combined finger rest and magnetic pickup for
string musical instruments; to provide a mounting for a magnetic pickup
for a stringed musical instrument which would not change the natural
tone quality of the instrument; and to provide a combined magnetic
pickup and finger rest which does not interfere with the playing of the
instrument. The invention was presented in June 1948 at the NAMM trade
convention.
During the 16 years that McCarty ran the Gibson company,
its labor force increased 10 times, profits increased 15 times, and
sales went up 1250%. After retiring from Gibson in 1966, McCarty, along
with John Huis, bought the Bigsby company. McCarty continued to run
Bigsby until his death in April 2001 at the age of 91. His work remains a significant
influence on other guitar makers. |
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